Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a rather special Lohengrin. Even if you dislike what you see, what you hear is imposing evidence of...
Reviewed by Arnold Whittall in issue: 10/2012
Stampiglia’s libretto Partenope was first set to music in 1699 for Naples; the title-heroine was named after the siren founder...
Reviewed by David Vickers in issue: 10/2012
Those brought up on the 1950 RCA Toscanini broadcast of this opera (11/59) often have – pace that set’s harsh...
Reviewed by Mike Ashman in issue: 10/2012
If there’s a lesson to be had from these first and most recent recordings of Elektra, made 66 years apart,...
Reviewed by David Patrick Stearns in issue: 10/2012
Armed and dangerous – two casualties of Soviet-era censorship triumphantly reunited. The lost Prologue to the discarded three-act opera Orango...
Reviewed by Edward Seckerson in issue: 10/2012
Because Puccini’s operatic triptych comes round so rarely in the opera house, it is important that there be a good...
Reviewed by Richard Fairman in issue: 10/2012
Saverio Mercadante was a highly successful composer in his day. He studied at the Naples Conservatory, where he caught the...
Reviewed by Richard Lawrence in issue: 10/2012
Avowed devotees of early-17th-century Italian music might admire the work of Virgilio Mazzocchi – favoured by successive Barberini and Pamphili...
Reviewed by David Vickers in issue: 10/2012
Here’s an extraordinary coincidence. We wait during the course of Massenet’s centenary year for a new release that presents some...
Reviewed by Richard Fairman in issue: 10/2012
Let us first praise conductor and orchestra. Ticciati’s Hänsel is at a completely other remove from the pseudo-Wagnerian Siegfried-and-Fafner-have-a-bumpy-day-in-the-woods-with-the-kids approach...
Reviewed by Mike Ashman in issue: 10/2012
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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