Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
In Barrie Kosky’s spirited but uneven 2017 staging of Wagner’s comedy there are splurges of ideas. The performance emerges from...
Reviewed by Mike Ashman in issue: 10/2018
The ancient Roman city of Palmyra has been a good deal in the news this past decade. And so, curiously,...
Reviewed by Richard Osborne in issue: 10/2018
This is a very apt pairing, as Giovanni Simone Mayr (born Johann Simon Mayr) was one of Donizetti’s teachers, who...
Reviewed by Richard Lawrence in issue: 10/2018
Raymond and Agnes. The title doesn’t exactly trip off the tongue, nor does it readily suggest an atmosphere of mystery...
Reviewed by Andrew Farach-Colton in issue: 10/2018
‘My dear Richard! Here you have your Tauber-Lied!!’ scribbled Franz Lehár on the score of ‘Dein ist mein ganzes Herz’,...
Reviewed by Richard Bratby in issue: 10/2018
The year 2017 may have delivered the first opera about Claudio Monteverdi (at least according to the creators of La...
Reviewed by Andrew Mellor in issue: 10/2018
Robert Carsen’s production of Agrippina (Venice, 1709), filmed across two performances at the Theater an der Wien in March 2016,...
Reviewed by David Vickers in issue: 10/2018
Donizetti abandoned work on Le duc d’Albe when the director of the Paris Opéra, Léon Pillet, objected that there would...
Reviewed by Mark Pullinger in issue: 10/2018
It is perhaps unfortunate that I began my listening with the second work on Louis Lortie’s disc, the G minor...
Reviewed by Jeremy Nicholas in issue: 10/2018
You can rely on Anne Akiko Meyers to deliver something more than a violin concerto with fill-ups, as this latest...
Reviewed by Andrew Mellor in issue: 10/2018
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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