Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There’s no denying the precocity of this Double Concerto, written when Mendelssohn was just 14. Yet for all its flashes...
Reviewed by Andrew Farach-Colton in issue: 08/2018
Muzio Clementi and Johann Baptist (John) Cramer have much in common. Each was considered a leading virtuoso, each composed teaching...
Reviewed by Jed Distler in issue: 08/2018
Here’s a pairing rarely made on disc, yet they are natural partners: two Concertos for Orchestra by Hungarian composers, each...
Reviewed by Mark Pullinger in issue: 08/2018
In many respects this is a quite exceptional programme. I love the way Daniel Lozakovich marks every little harmonic twist...
Reviewed by Rob Cowan in issue: 08/2018
One need only recall the impressive 2013 recording of the Doctor Atomic Symphony and the mighty Harmonielehre to realise that...
Reviewed by Patrick Rucker in issue: 08/2018
Ian Page and the Classical Opera Company (since rechristened The Mozartists for concerts) launched their epic project ‘Mozart 250’ with...
Reviewed by David Vickers in issue: 07/2018
Adam Fischer’s kinship with this music seems to grow exponentially with each successive instalment of what is already proving an...
Reviewed by Edward Seckerson in issue: 07/2018
Sometimes the reputation of a piece of music becomes so ensconced that the music itself is enshrouded, infected by hearsay...
Reviewed by Patrick Rucker in issue: 07/2018
A bran tub of bonbons, yes, but much more than that: it is also a portrait of an artist in...
Reviewed by Jeremy Nicholas in issue: 07/2018
The five works on this engaging disc from the RNCM Wind Orchestra are all rooted in the strong Spanish or...
Reviewed by Tim Ashley in issue: 07/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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