Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This modern history in sound of the Tonhalle begins in December 1942. On the podium is Volkmar Andreae, leading an...
Reviewed by Peter Quantrill in issue: 08/2018
The top soloists of Venice’s Ospedale della Pietà – the convent, orphanage and music school where Vivaldi spent a significant...
Reviewed by Charlotte Gardner in issue: 08/2018
I was very much taken with Peter Oundjian’s live pairing of Vaughan Williams’s Fourth and Fifth symphonies (5/12), and the...
Reviewed by Andrew Achenbach in issue: 08/2018
Svend Erik Tarp was a contemporary of Vagn Holmboe and Herman D Koppel, the generation of Danish composers who came...
Reviewed by Andrew Mellor in issue: 08/2018
Though one of Germany’s oldest orchestras, the Staatskapelle Weimar has never been a major presence on disc. Just over a...
Reviewed by Hugo Shirley in issue: 08/2018
I first made the acquaintance of Rheinberger, born six years after Brahms, through his organ sonatas, and it is in...
Reviewed by Harriet Smith in issue: 08/2018
Lauri Porra (b1977) is a Finnish composer and electric bass player. His musical credentials are impeccable: Sibelius was his great-grandfather,...
Reviewed by Guy Rickards in issue: 08/2018
This is the only symphonic Nielsen we have had on record from Thomas Dausgaard since his 2012 DVD release of...
Reviewed by Andrew Mellor in issue: 08/2018
It’s good to be reminded just how much fun Mozart’s works involving multiple pianos are. The concertos for two and...
Reviewed by David Threasher in issue: 08/2018
For all his protestations about how he detested the flute, Mozart nevertheless gave flautists two of the founding works of...
Reviewed by David Threasher in issue: 08/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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