Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Jiyoon Lee’s Champs Hill recital with Henry Kramer follows hard on the heels of her remarkable debut album (Orchid, A/18),...
Reviewed by Tim Ashley in issue: 10/2018
There’s a happy inevitability about French period cellists taking Vivaldi’s six cello sonatas into the recording studio, when the Bibliothèque...
Reviewed by Charlotte Gardner in issue: 10/2018
Tchaikovsky’s Piano Trio in B minor? No, not in A minor. Nor, indeed, that Tchaikovsky. Naxos has done well by...
Reviewed by Mark Pullinger in issue: 10/2018
I think it was George Bernard Shaw who first remarked that Stanford was at his best when he forgot to...
Reviewed by Richard Bratby in issue: 10/2018
The Norwegian Engegård Quartet have only recently started programming single-composer discs (they released Mozart’s ‘Prussian’ Quartets last year – LAWO...
Reviewed by Harriet Smith in issue: 10/2018
In honour of William of Ockham’s famous dictum that the simplest solution tends to be the correct one, the eighth...
Reviewed by Guy Rickards in issue: 10/2018
What makes the Doric the Doric? Is it their ability to reveal detail, though never at the cost of broader...
Reviewed by Harriet Smith in issue: 10/2018
An earlier disc devoted to Charlotte Bray (1/15) has proved one of the most notable in NMC’s Debut series and...
Reviewed by Richard Whitehouse in issue: 10/2018
These interpretations of the Brahms violin sonatas delve far more deeply into ‘historically informed performance practice’ than any period-instrument recording...
Reviewed by Andrew Farach-Colton in issue: 10/2018
It’s such a very long time since the French baroque cellist Bruno Cocset brought out his first excellent Boccherini album...
Reviewed by Charlotte Gardner in issue: 10/2018
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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