Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Back in September 1971 I attended a concert at London’s Royal Festival Hall by what was then the Leningrad Philharmonic...
Reviewed by Rob Cowan in issue: 04/2024
Like the preceding volume (8/23), this further exploration of Tchaikovsky’s orchestral works and operas is a delight for the audiophile....
Reviewed by Marina Frolova-Walker in issue: 04/2024
This somewhat unlikely concert-derived programme kicks off with an orchestral work whose discography stretches back to Willem Mengelberg’s pioneering New...
Reviewed by David Gutman in issue: 04/2024
There are precious few orchestras in the world with a sound and an identity as distinctly their own as the...
Reviewed by Edward Seckerson in issue: 04/2024
Jan Willem de Vriend has been busy in recent years recording Romantic orchestral masterpieces for Challenge Classics: lots of Beethoven...
Reviewed by David Threasher in issue: 04/2024
Howard Griffiths’s ‘Next Generation Mozart Soloists’ project has performed a valuable service in offering young musicians studio experience in central...
Reviewed by David Threasher in issue: 04/2024
For this group of concertos from 1776, Robert Levin turns to the tangent piano, an instrument in which the string...
Reviewed by David Threasher in issue: 04/2024
Quick and even precipitate tempos don’t exclude ardency of expression in Gustavo Gimeno’s direction of Turangalîla. He shapes the divided...
Reviewed by Peter Quantrill in issue: 04/2024
Diversity is an outstanding feature of the ‘Music of Brazil’ series from Naxos, not only in turning up so many...
Reviewed by Peter Quantrill in issue: 04/2024
‘Music is a rum go.’ So remarked Vaughan Williams of his profession, words that might have resonated with the Birmingham-born...
Reviewed by Adrian Edwards in issue: 04/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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