Why make a high-end CD player in 2025?
Launching a high-end CD player may seem like a brave endeavour in what is increasingly...
Angela Hewitt’s set of Ravel’s piano music is a remarkable feat of the most concentrated imaginative delicacy‚ wit and style....
Reviewed in issue 7/2002
I have enjoyed these beautiful and eloquent performances very much on LP, and was greatly looking forward to the CD...
Reviewed by Michael Oliver in issue: 8/1988
''Symphony No. 3, for organ and orchestra?'' ''Bound to be by Saint-Saens.'' ''Wrong, Widor!'' ''Oh, Symphony No. 3 in E...
Reviewed by faprahamian in issue: 6/1989
Reviewed by Jed Distler in issue: 11/2005
Prokofiev's great ballet score has been very lucky on records. Both Previn's EMI set (at present awaiting reissue) and the...
Reviewed by Ivan March in issue: 12/1991
The fourth volume of Robert King’s exploration of Monteverdi’s sacred music continues to mix pieces from different sources: the composer’s...
Reviewed by David Vickers in issue: 1/2006
I’m afraid it doesn’t work here as it should. Principally to blame are the lack of visual clarity and the...
Reviewed by John Steane in issue: 3/2010
Of the period-instrument couplings of these two 'elemental' suites, this must be placed alongside that by the AAM under Hogwood...
Reviewed by John Duarte in issue: 3/1994
A delightful record, full of good tunes, but not a collection to be played in one go – for English,...
Reviewed by Ivan March in issue: 9/2000
As far as most concert promoters are concerned, there are just two works for narrator and orchestra written for children:...
Reviewed by Jeremy Nicholas in issue: 8/2008
Launching a high-end CD player may seem like a brave endeavour in what is increasingly...
'The forensic study of Monteverdi’s madrigals bears ripe fruit from four decades of philological...
Jed Distler delves into a massive collection focusing on the conductor’s later discography
Richard Whitehouse on a collection taking in the London Sinfonietta’s 1970s recordings
'A veritable treasure trove for enthusiasts'
Rob Cowan on three collections of vintage recorded performances
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