Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Limerick-born George Alexander Osborne (1806-93) studied piano and composition with Frédéric Kalkbrenner in Paris, where he became a close friend...
Reviewed by Andrew Achenbach in issue: 7/2005
Copland's Clarinet Concerto was written for Benny Goodman, and I hope that Goodman's own CBS recording, with Copland conducting, scheduled...
Reviewed by Arnold Whittall in issue: 2/1988
Anyone who thinks of Paderewski’s music as a benign offshoot from his sensational career as a pianist will be startled...
Reviewed by Bryce Morrison in issue: 11/1997
The comparative HMV disc couples Shostakovich's Cello Concerto No. 1 with his Violin Concerto No. 1—in other words his two...
Reviewed in issue 12/1983
Pierre Bernac gave the first performance of the Chansons gaillards in 1926 (with Poulenc at the piano), but his career...
Reviewed in issue 4/1993
All five DVDs celebrate René Martin’s La Roque d’Anthéron Piano Festival, founded in 1980 in the heart and, judging by...
Reviewed by Bryce Morrison in issue: 11/2005
''Eight timpani'' does not mean eight one-drum players in the style of a Russian horn band, it means eight drums...
Reviewed in issue 10/1989
This is the Dartington Ensemble's second record of little-known chamber music by Martinu. Like its predecessor (A66084, 1/84) it contains...
Reviewed in issue 3/1985
This, the first ever recording of Mendelssohn’s oratorio, has always seemed to me one of the most convincing. Like the...
Reviewed by Alan Blyth in issue: 4/2007
After the introductory Handel this settles down to a programme of Mozart and Strauss with a rather generous allowance of...
Reviewed by John Steane in issue: 11/2003
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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