Schumann Kreisleriana; Prokofiev Piano Sonata No 2
A feast of piano-playing, from star and newcomer alike
View record and artist detailsRecord and Artist Details
Composer or Director: Franz Liszt, George Gershwin, Claude Debussy
Genre:
DVD
Label: La Roque d' Antheron
Magazine Review Date: 11/2005
Media Format: Digital Versatile Disc
Media Runtime: 69
Mastering:
Stereo
Catalogue Number: DR2114

Tracks:
Composition | Artist Credit |
---|---|
(3) Petrarch Sonnets, Movement: Sonetto 104 |
Franz Liszt, Composer
Frank Braley, Piano Franz Liszt, Composer |
(3) Petrarch Sonnets, Movement: Sonetto 123 |
Franz Liszt, Composer
Frank Braley, Piano Franz Liszt, Composer |
(2) Lugubre gondole, Movement: 2nd version (1885) |
Franz Liszt, Composer
Frank Braley, Piano Franz Liszt, Composer |
(24) Préludes |
Claude Debussy, Composer
Claude Debussy, Composer Frank Braley, Piano |
Rhapsody in Blue |
George Gershwin, Composer
Frank Braley, Piano George Gershwin, Composer |
(3) Preludes, Movement: No. 3 in E flat minor |
George Gershwin, Composer
Frank Braley, Piano George Gershwin, Composer |
Composer or Director: Pyotr Ilyich Tchaikovsky, Sergey Prokofiev, Robert Schumann
Genre:
DVD
Label: La Roque d' Antheron
Magazine Review Date: 11/2005
Media Format: Digital Versatile Disc
Media Runtime: 69
Mastering:
Stereo
Catalogue Number: DR2117

Tracks:
Composition | Artist Credit |
---|---|
Kreisleriana |
Robert Schumann, Composer
Eliso Virsaladze, Piano Robert Schumann, Composer |
Sonata for Piano No. 2 |
Sergey Prokofiev, Composer
Eliso Virsaladze, Piano Sergey Prokofiev, Composer |
(5) Sarcasms, Movement: No. 3, Allegro precipitato |
Sergey Prokofiev, Composer
Eliso Virsaladze, Piano Sergey Prokofiev, Composer |
(6) Morceaux, Movement: ~ |
Pyotr Ilyich Tchaikovsky, Composer
Eliso Virsaladze, Piano Pyotr Ilyich Tchaikovsky, Composer |
Composer or Director: Pyotr Ilyich Tchaikovsky
Genre:
DVD
Label: La Roque d' Antheron
Magazine Review Date: 11/2005
Media Format: CD or Download
Media Runtime: 69
Mastering:
Stereo
Catalogue Number: DR2115

Tracks:
Composition | Artist Credit |
---|---|
(The) Seasons, Movement: No. 6, June (Barcarolle) |
Pyotr Ilyich Tchaikovsky, Composer
Boris Berezovsky, Piano Pyotr Ilyich Tchaikovsky, Composer |
Nocturne |
Pyotr Ilyich Tchaikovsky, Composer
Boris Berezovsky, Piano Pyotr Ilyich Tchaikovsky, Composer |
Piano Trio |
Pyotr Ilyich Tchaikovsky, Composer
Alexander Kniazev, Cello Boris Berezovsky, Piano Dmitri Makhtin, Violin Pyotr Ilyich Tchaikovsky, Composer |
Sérénade mélancolique |
Pyotr Ilyich Tchaikovsky, Composer
Boris Berezovsky, Piano Pyotr Ilyich Tchaikovsky, Composer |
Composer or Director: Franz Schubert
Genre:
DVD
Label: La Roque d' Antheron
Magazine Review Date: 11/2005
Media Format: Digital Versatile Disc
Media Runtime: 60
Mastering:
Stereo
Catalogue Number: DR2116

Tracks:
Composition | Artist Credit |
---|---|
(8) Variations on a French song |
Franz Schubert, Composer
Christian Ivaldi, Piano Franz Schubert, Composer Jean-Claude Pennetier, Piano |
Rondo |
Franz Schubert, Composer
Christian Ivaldi, Piano Franz Schubert, Composer Jean-Claude Pennetier, Piano |
Allegro, 'Lebensstürme' |
Franz Schubert, Composer
Christian Ivaldi, Piano Franz Schubert, Composer Jean-Claude Pennetier, Piano |
Fantasie |
Franz Schubert, Composer
Christian Ivaldi, Piano Franz Schubert, Composer Jean-Claude Pennetier, Piano |
Composer or Director: Jean-Frédéric Neuburger, Ludwig van Beethoven, Franz Liszt, Fryderyk Chopin, Franz Schubert, Robert Schumann, Johann Sebastian Bach
Genre:
DVD
Label: La Roque d' Antheron
Magazine Review Date: 11/2005
Media Format: Digital Versatile Disc
Media Runtime: 110
Mastering:
Stereo
Catalogue Number: DR2118

Tracks:
Composition | Artist Credit |
---|---|
Mazurkas (Complete), Movement: No. 10 in B flat, Op. 17/1 (1832-33) |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Iddo Bar-Shai, Piano |
Mazurkas (Complete), Movement: No. 13 in A minor, Op. 17/4 (1832-33) |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Iddo Bar-Shai, Piano |
Mazurkas (Complete), Movement: No. 25 in B minor, Op. 33/4 (1837-38) |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Iddo Bar-Shai, Piano |
Mazurkas (Complete), Movement: No. 40 in F minor, Op. 63/2 (1846) |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Iddo Bar-Shai, Piano |
Mazurkas (Complete), Movement: No. 45 in A minor, Op. 67/4 (1846) |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Iddo Bar-Shai, Piano |
Mazurkas (Complete), Movement: No. 49 in F minor, Op. 68/4 (1849) |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Iddo Bar-Shai, Piano |
Nuages gris |
Franz Liszt, Composer
Bertrand Chamayou, Piano Franz Liszt, Composer |
En rêve |
Franz Liszt, Composer
Bertrand Chamayou, Piano Franz Liszt, Composer |
Miserere du Trovatore (Verdi) |
Franz Liszt, Composer
Bertrand Chamayou, Piano Franz Liszt, Composer |
Rigoletto (Verdi) Paraphrase |
Franz Liszt, Composer
Bertrand Chamayou, Piano Franz Liszt, Composer |
Fantasie, Movement: Allegro molto appassionato |
Robert Schumann, Composer
Robert Schumann, Composer Severin von Eckardstein, Piano |
(2) Légendes, Movement: No. 2, St Francis de Paule walking on the water |
Franz Liszt, Composer
Franz Liszt, Composer Lise de la Salle, Piano |
Chorale Preludes from the Rinck Collection, Movement: Ich ruf zu dir (Aria) |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Lise de la Salle, Piano |
(27) Etudes, Movement: C sharp minor, Op. 10/4 |
Fryderyk Chopin, Composer
Fryderyk Chopin, Composer Lise de la Salle, Piano |
Fantasy, 'Wandererfantasie' |
Franz Schubert, Composer
David Fray, Piano Franz Schubert, Composer |
Rondo a capriccio, 'Rage over a lost penny' |
Ludwig van Beethoven, Composer
Jean-Frédéric Neuburger, Composer Ludwig van Beethoven, Composer |
(6) Variations on an Original Theme |
Ludwig van Beethoven, Composer
Jean-Frédéric Neuburger, Composer Ludwig van Beethoven, Composer |
Author: Bryce Morrison
First and formidably there is Elisso Virsaladze, referred to most oddly in Jennifer Lesieur’s vulgar and irrelevant notes as ‘the grande dame of Georgian music’. Her Schumann – highly praised by Richter – provides a vivid interaction between Florestan and Eusebius (Schumann’s fictionalised men of action and dreams), captured in the fiercely ignited start to Kreisleriana, yet she’s eloquent as well as impassioned in every twist of the composer’s pell-mell argument. All the same, her declamation can be relentless and here and in the Prokoviev and Tchaikovsky offerings she sounds tight-lipped and over-intense, remorselessly pressing home her points. All these performances, for all their magisterial force and authority, leave too little space, claustrophobically confining rather than expanding your horizons.
Lesieur, who thinks that Liszt’s Petrarch Sonnets were inspired by the Italian landscape, sounds a bobby-sox note, telling us of ‘this tall young man with the mane of hair’ before celebrating the fact that Frank Braley has opted for a musical rather than scientific career (‘there are plenty of good scientists, good pianists are much rarer’). Yet nothing can mask the quality of Braley’s performances, suitably rapturous in Sonnet 123 (‘I saw on earth angelic grace’), impassioned and improvisatory in No 104. His selection of Debussy Préludes includes a performance of ‘Ce qu’a vu le vent d’Ouest’ (too often an incoherent uproar) where there is ample time for every elemental gesture to make its dramatic point. Braley’s Gershwin, too, is as personal as it is dazzling, evoking a jazz age inseparable from the composer and also conjured by Scott Fitzgerald.
From high jinks to a Schubertiad from Christian Ivaldi and Jean-Claude Pennetier, though I doubt whether the composer and his friends played with anything approaching the expertise of these richly mature, most musicianly artists. Their performance of the great F minor Fantasie, in particular, is a notable triumph, impeccable in both taste and style.
In extreme contrast there is ‘Les pianos de demain’, in which at least five of the six young players suggest much more than mere potential. Iddo Bar-Shai (for Alexis Weissenberg, an ‘artist’ and an ‘original’) has yet to learn that less can be more and his selection of Chopin Mazurkas finds him inflating wistfulness into high tragedy. Bertrand Chamayou is more convincing in early and late Liszt. And if you question his rapid tempo for En rêve you also wonder at his exhilarating heroics in the Trovatore paraphrase’s final pages where Liszt sends Verdi’s glory soaring to the stars.
Sixteen-year-old Lisa de la Salle once again suggests musicianship of rare quality. Her Bach-Busoni is of an enviable poise and serenity, her Chopin Etude (Op 25 No 6 rather than Op 25 No 4 as claimed in the notes) of a fluency and individuality far beyond precocity. David Fray is exhaustingly intense in Schubert’s Wanderer Fantasy and 17-year-old Jean-Frédéric Neuburger’s Beethoven is already scrupulously sensitive, focused and articulate. Severin von Eckardstein is finely attuned to every facet of the Schumann Fantasie, playing with an overall mastery and inner glow that augurs well.
Last, but far from least, an unforgettable evening with Boris Berezovsky and his two young Russian colleagues playing their hearts out in the Tchaikovsky Trio. As their recent recording of trios by Rachmaninov and Shostakovich declares, these artists have formed an inspiring partnership and once again, Berezovsky, who has the lion’s share of the proceedings, masks his formidable virtuosity and inner intensity with a deceptive nonchalance.
Naïve’s presentation is hardly outstanding but visually there are many surprises, with illuminating rather than distracting close-ups and glimpses of all the artists at work.
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