Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The three-movement Prillar is a symphonic poem written in 1931 while Tveitt was studying in Leipzig. Lasting well over half...
Reviewed in issue 7/2001
Re-emerging with Moshe Atzmon, her collaborator in Mendelssohn's five mature works for piano and orchestra (Pantheon—not submitted for review), Cristina...
Reviewed by Joan Chissell in issue: 5/1986
Frans Bruggen's version of the Prague Symphony may not be to everyone's taste, but it is certainly full of character...
Reviewed by Stanley Sadie in issue: 2/1990
This recording dates from 1976 and the completed Mass from 1837. More than half of it was written in an...
Reviewed in issue 9/1990
Wojciech Kocyan’s 2002 and 2005 recitals for the Dux label have resurfaced in time for me to alert collectors not...
Reviewed by Jed Distler in issue: 3/2008
The title of this handsome compilation – “The Story So Far” – tells us a great deal, because with Sondheim...
Reviewed by Edward Seckerson in issue: 1/2009
Did someone say that Handel’s opera plots were too complicated? Not Imeneo: Princess Rosmene, rescued from pirates by Imeneo, has...
Reviewed by Stanley Sadie in issue: 5/2004
Most of these recordings were made in 1944‑54, now assiduously quarried for forgotten treasures by collectors whose predecessors considered it...
Reviewed by John Steane in issue: 2/2008
As on the previous volume in his survey of Bax piano music for Naxos (10/04), Ashley Wass has strong ideas...
Reviewed by Andrew Achenbach in issue: 6/2005
Eichendorff, who breathes the very spirit of romanticism, has always been a notable source of inspiration for German-speaking composers. As...
Reviewed by Alan Blyth in issue: 1/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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