Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Berlioz's nativity oratorio has been described by a leading authority on the composer as ''almost cinematic''; and perhaps taking its...
Reviewed by Lionel Salter in issue: 3/1986
Whether or not you like everything that the Carmina Quartet does (and in the first movement of the Debussy there...
Reviewed by Robert Layton in issue: 3/1993
Lorin Maazel's Cleveland recording of the complete Porgy and Bess is one of his finest achievements on record, richly emotional,...
Reviewed by Edward Greenfield in issue: 2/1986
This charming music is charmingly played, and the resulting disc could hardly fail to delight anyone who hears it. The...
Reviewed in issue 6/1985
Cheng is known to the British catalogue for her recordings of Messiaen (9/96) and Adams and Riley (3/99). This new...
Reviewed by Peter Dickinson in issue: 11/2000
These three early symphonies join the series of ASMF/Marriner recordings of all the 'named' symphonies of Haydn. They are delightfully...
Reviewed in issue 10/1984
Here is the fulfilment of a long-cherished project. Its roots are in the 1952 one-acter, Trouble in Tahiti, in the...
Reviewed in issue 10/1987
It is 21 years since the appearance on LP of Claudio Abbado's earlier DG recording of Rossini's Il barbiere. It...
Reviewed by Richard Osborne in issue: 12/1992
Haydn’s patrons certainly had off-beat tastes in musical instruments. In the 1760s and 1770s he composed a steady stream of...
Reviewed by Richard Wigmore in issue: 11/1998
None of this material is new. The Mauermusik dates from 1962 when the composer was living in Cologne. It is...
Reviewed by Robert Layton in issue: 4/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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