Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Delius had a special relationship with the collective human voice, and the songs here are also presented chronologically, which allows...
Reviewed by John Steane in issue: 7/1998
No one could accuse Neville Marriner of excessive haste in recording a Beethoven symphony series with the ASMF. His stylish...
Reviewed by Edward Greenfield in issue: 6/1983
Sebastian Knupfer? If you know of him, it is far more likely to be through reading about him than hearing...
Reviewed by John Duarte in issue: 8/2000
With large areas of Joseph Haydn's magnificent oeuvre still neglected, what chance has his lesser-known younger brother got? You might...
Reviewed by Stephen Johnson in issue: 10/1990
This performance calls itself a “version in two parts by Philipp Stölzl (the stage director here) and Christian Baier”. It...
Reviewed by Mike Ashman in issue: 3/2011
They’re all here: The Arab’s Farewell to his Steed (‘Fret not with that impatient hoof’), The Volunteer Organist (‘and strongest...
Reviewed in issue 6/1999
Mendelssohn's Lobgesang, or ''Song of Praise'', is an odd conception making its bid to pick up the gauntlet thrown down...
Reviewed by John Warrack in issue: 9/1990
Continuing to go where other budget labels fear to tread, Naxos offer this newly recorded complete version of Adam's classic...
Reviewed by Andrew Lamb in issue: 4/1995
Bennett Lerner has found himself a niche in the regions of lesser-known America piano music. To judge from the greater...
Reviewed in issue 1/1987
Last summer Osmo Vänskä and the BBC Scottish took their performance of The Inextinguishable to the Proms, where they rose...
Reviewed by David Fanning in issue: 2/2003
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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