Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Breadth, flexibility, wit and an all-pervading sense of musical line are among the many virtues that distinguish Peter Maag’s immensely...
Reviewed in issue 4/1999
Peter Maag does not seem to make very many records, but when they arrive they seldom disappoint. One remembers an...
Reviewed by Ivan March in issue: 4/1987
Naxos has released this well played and produced recital of Toch chamber pieces as part of its “American Classics” series...
Reviewed by Guy Rickards in issue: 8/2008
Martin Zehn, described on the CD case as a ‘contemporary music specialist’, has all the technique that the more spectacularly...
Reviewed by Michael Oliver in issue: 4/2001
One expects Keith John’s recordings to be notable for their enterprise, enthusiasm and high standards of execution. This latest offering...
Reviewed by Malcolm Riley in issue: 11/1999
In the January 1995 issue of Gramophone I favourably reviewed a disc by Pierre Hantai and Le Concert...
Reviewed by Nicholas Anderson in issue: 8/1997
Disarming criticism, 27-year-old Israeli pianist Inon Barnatan tells us in his accompanying note that while entering a formidably competitive field...
Reviewed by Bryce Morrison in issue: 13/2006
Viewed from a purely technical standpoint this is an outstanding release. The blend of voices – within the string quartet...
Reviewed by Rob Cowan in issue: 5/2010
Within my experience of Mahler performances, the Eighth Symphony is the most difficult of the ten for a conductor to...
Reviewed in issue 10/1985
All six of the flute sonatas cannot be fitted on to one Compact Disc without sacrificing repeats, but to omit...
Reviewed by John Duarte in issue: 12/1989
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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