Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
A robust reading of the first of the swansong Sonatas traces the progression from Allegro appassionato opening to Vivace finale...
Reviewed by mquinn in issue: 11/1999
The two organ masses comprising Couperin's pieces d'orgue are his earliest surviving compositions. They were the fruits of his first...
Reviewed by Nicholas Anderson in issue: 9/1991
As long ago as 1976 EMI had the idea of recording Mendelssohn’s incidental music for A Midsummer Night’s Dream absolutely...
Reviewed by Edward Greenfield in issue: 8/2003
Khachaturian wrote his first film score in 1934, the year he graduated from the Moscow Conservatory. The film, Pepo, was...
Reviewed by Ivan March in issue: 10/1997
It has been clear for some time that Evgeny Kissin is a Beethoven player of rare pedigree and distinction, the...
Reviewed by Richard Osborne in issue: 11/2008
Attempting to summarize early nineteenth-century romanticism (in the introduction to a booklet on Beethoven's middle-period string quartets) Dr Gerald Abraham,...
Reviewed by Joan Chissell in issue: 4/1986
Previn is busy recording and re-recording English masterpieces with the RPO since he became its conductor. His performance of The...
Reviewed in issue 12/1986
Recordings of Handel’s Water Music come in floods, those of Telemann’s Wassermusik (more properly titled Hamburger Ebb und Fluth) in...
Reviewed in issue 7/2001
''I become quite powerless when I am obliged to write for an instrument which I cannot bear'', Mozart told his...
Reviewed by Christopher Headington in issue: 4/1989
One does not need to be a very perspicacious musical detective to deduce, from Chausson's only published opera, that he...
Reviewed by Lionel Salter in issue: 11/1986
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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