Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Der arme Heinrich (‘Suffering’ rather than ‘Poor’ Heinrich, I think) was Pfitzner’s first opera, written at 24 and successfully premièred...
Reviewed by Michael Oliver in issue: 1/2003
There will be many (especially in the UK where she hasn’t put in an appearance for years) who will have...
Reviewed by Edward Seckerson in issue: 9/2010
Franz Krommer, as Frantisek Kramár styled himself in German-speaking lands, is quite well represented on record. These four pieces make...
Reviewed by John Warrack in issue: 7/2005
These selections have been compiled by Norman White, who has been the originator of the whole Nimbus enterprise. He is...
Reviewed in issue 10/1989
A few years ago Blochwitz, Schmidt and Garben, together with Barbara Bonney as soprano and Anne Sofie von Otter as...
Reviewed in issue 6/1995
Mussorgsky's Pictures has not lacked orchestrators (I think there are now some 20 versions, but I await correction) ; this...
Reviewed by John Warrack in issue: 3/2000
The more I hear it, the more I am convinced that Leonard Slatkin's RCA recording of Elgar's First Symphony is...
Reviewed by Edward Seckerson in issue: 11/1992
With their boldness of invention, their expressive range and their extraordinary variety of three-part textures, Handel’s six Op 2 sonatas...
Reviewed by Stanley Sadie in issue: 1/2004
Arne's ''Six Favourite Concertos'' for organ, harpsichord or fortepiano were published in 1793, 15 years after the composer's death. They...
Reviewed by Nicholas Anderson in issue: 9/1992
By any other name, John Browne would surely be recognised as one of the very greatest English composers. The fact...
Reviewed by Fabrice Fitch in issue: 6/2005
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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