Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
I once trod in an old Thomas Beecham joke about Karlheinz Stockhausen, with such a feeble punchline I couldn’t be...
Reviewed by Philip_Clark in issue: 13/2008
A favourable review can sometimes save a lot of money. This is a worthy opera and deserves a hearing. Well,...
Reviewed in issue 12/1994
The prime interest here is Brahms's Op. 34, originally conceived as a string quintet, finally blossoming into the masterly F...
Reviewed by Joan Chissell in issue: 1/1995
It says much for Ciccolini's devotion to the Satie cause that, having already once made six LPs of his piano...
Reviewed by Lionel Salter in issue: 7/1989
With ears almost beleaguered by a recent glut of symphonic Schumann, I turned to Norrington's new disc looking for fresh...
Reviewed by John Steane in issue: 3/1991
Though lacking the outstanding songs, story and situations of Hello, Dolly! and La cage aux folles, Jerry Herman’s Mame has...
Reviewed by Andrew Lamb in issue: 9/1999
Few English artists enjoyed a more long-lasting, reciprocal love affair with the Salzburg Festival than Clifford Curzon who, at the...
Reviewed by Joan Chissell in issue: 4/1996
Like David Zinman’s recent recordings of Beethoven, Schumann and Strauss (all on Arte Nova), this interpretation of Mahler’s First Symphony...
Reviewed by Andrew Farach-Colton in issue: 6/2007
The sub-title of this pleasing disc is ''Three from a Group of Six'', meaning that Michel Carey, a baritone of...
Reviewed by Alan Blyth in issue: 1/1990
Bouzignac is one of those fascinating enigmas, occasionally thrown up, who though out of step with their contemporaries are all...
Reviewed in issue 1/1989
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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