Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It must be rare if not unique for a musician to conduct a work composed to celebrate his birth and...
Reviewed by Alan Blyth in issue: 1/1989
I sometimes get the impression that record companies, with their elaborate new numbering systems and non-parallel reissues, are taking a...
Reviewed by Lionel Salter in issue: 4/1987
A most attractive coupling of Stravinsky at his most genial. Not that Stravinsky himself in his own recordings allowed much...
Reviewed by Edward Greenfield in issue: 3/1983
In discussing the Verdi Requiem in Opera on Record 3 (Hutchinson: 1984), I expressed the wish that Karajan would record...
Reviewed by Alan Blyth in issue: 5/1985
Two swansongs, and in each case it’s the composer’s only string quartet. But how different these works are – the...
Reviewed by DuncanDruce in issue: 10/2008
Tucked away inside the booklet accompanying this disc is an acknowledgement to two vitally important people: “During the recordings the...
Reviewed by Marc Rochester in issue: 5/1997
Pierre Boulez’s Mahler will always be controversial, but here he turns in a fresh and finely detailed account of No....
Reviewed in issue 6/1999
There is some magnificent playing in the Double Concerto from Perlman and Rostropovich, as one would expect, but the recording...
Reviewed in issue 5/1989
Partenope was not a highly regarded work in its day, though it subsequently enjoyed the distinction of being among the...
Reviewed by Lindsay Kemp in issue: 9/2005
The Busch set has to rank among the most satisfying performances of this work ever available on disc, up there...
Reviewed by Alan Blyth in issue: 12/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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