Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Why is it that the French have traditionally excelled at writing for wind ensembles? Is it the instruments' individuality...
Reviewed by Lionel Salter in issue: 1/1993
The fifth volume of Geoffrey Tozer’s eloquent traversal of Medtner’s solo piano music coincides with the release of Dover Publications’...
Reviewed by Bryce Morrison in issue: 12/1998
The fourth volume of Olympia's series devoted to Moishei Vainberg comprises recordings made as long ago as 1963 and 1976....
Reviewed by John Warrack in issue: 4/1995
Felice Dall'Abaco's first published set of 1708 is an unexpected joy. Here is a composer who thrives on refined and...
Reviewed by Jonathan Freeman-Attwood in issue: 4/2000
Christian Sinding is a little better represented on record nowadays than he was a decade or so ago. Two of...
Reviewed by Robert Layton in issue: 4/1987
The six works in this programme were published by Telemann in Hamburg in 1730 under the title Quadri a violino,...
Reviewed by Nicholas Anderson in issue: 8/1996
With this performance, the Hagen Quartet seem resolved to provide argument refuting facile suggestions of Op. 135 as ''a reversion...
Reviewed by John Warrack in issue: 6/1992
The Handel and Haydn Society is America's oldest performing arts organization still in existence, having been founded in 1815—a mere...
Reviewed by Tess Knighton in issue: 9/1990
This is a bit of a mixed bag to be honest, though none the less worth hearing for that. Domenico...
Reviewed by Lindsay Kemp in issue: 12/1996
In my St Matthew ‘Collection’ article (April), Bruno Kittel’s 1942 performance was covered somewhat equivocally on the basis of some...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2004
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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