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Review of Schubert Lieder

Schubert Lieder

When the major part of this issue, the first 25 songs, appeared in 1971 under the title “A Schubert Evening”,...

Reviewed by Alan Blyth in issue: 10/1996

Review of Schubert Lieder

Schubert Lieder

Eschewing the eccentricities and exaggerations of some of his contemporaries, Gerhaher wonderfully exhibits the verities of Schubert interpretation in this...

Reviewed by Alan Blyth in issue: 7/2006

Review of Murail Chamber works

Murail Chamber works

This disc shows exactly how a French composer copes with having been a pupil of Messiaen at a time when...

Reviewed in issue 9/1992

Review of Campra Motets

Campra Motets

Provencal, Andre Campra is one of the most constantly rewarding composers who were active during the half-century or so between...

Reviewed by Nicholas Anderson in issue: 9/1999

Review of Twentieth Century British Piano Works

Twentieth Century British Piano Works

Readers of Gramophone do not need to be reminded of Christopher Headington's wide range of tastes and accomplishments. His ability...

Reviewed in issue 11/1990

Review of Ravel: Orchestral works

Ravel: Orchestral works

These performances are available on one of the CBS mid-price Diamond series coupled with Offenbach's Gaite parisienne, Saint-Saens's Danse macabre...

Reviewed by Ivan March in issue: 1/1986

Review of Mozart String Quintets, Vol. 3

Mozart String Quintets, Vol. 3

These are strongly characterized performances, warm blooded and full-throated, with a richly toned, reverberant and very immediate recording to match....

Reviewed by Christopher Headington in issue: 6/1991

Review of Stravinsky Petrushka; Pulcinella Suite

Stravinsky Petrushka; Pulcinella Suite

This recording of Petrushka dates from the spring of 1967. Klemperer was 81, not in the best of health, but...

Reviewed by Richard Osborne in issue: 13/1999

Review of Prokofiev Piano Concertos

Prokofiev Piano Concertos

Kissin is an extraordinarily aware musician. And lest anyone suspect me of paying a backhanded compliment, let me say straight...

Reviewed in issue 12/1994

Review of Palestrina Masses

Palestrina Masses

These accounts – featuring the generally darker sound of an all-male ‘cast’ – are neither triumphalist nor even dramatic, but...

Reviewed by Fabrice Fitch in issue: 11/1998


 

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