Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
A disc of music by the two most talented composers of seventeenth-century Austria and Bohemia is welcome and doubly so...
Reviewed by Nicholas Anderson in issue: 9/1991
What is the key of Paganini’s First Concerto? Nowadays it’s invariably played in D, but Paganini wrote the orchestral parts...
Reviewed by DuncanDruce in issue: /2000
The singing here is first rate. The Sixteen are a beautifully-balanced ensemble with superb intonation and a gentle, focused tone....
Reviewed by David Fallows in issue: 10/1983
Like the two Mozart concertos I reviewed in November 1984 (Philips 412 254-2PH), these are among Clara Haskil's last recordings,...
Reviewed by Lionel Salter in issue: 8/1986
Did Schubert, in the opening movement of his First Symphony, intend the introductory Adagio, when it reappears before the recapitulation,...
Reviewed by John Steane in issue: 11/1991
Except for a couple of concertos recorded by Stanley Weiner a quarter of a century ago, this is the first...
Reviewed by Lionel Salter in issue: 2/1996
Five down and one to go in this enterprising series, the main item here being the engaging Suite for Strings...
Reviewed by Andrew Achenbach in issue: 11/2004
In her memoirs Alda recalls how Caruso came to see her when he was in search of a partner for...
Reviewed by John Steane in issue: 3/2000
Havard Gimse is a 34-year-old Norwegian pianist who studied with Jiri Hlinka (Leif Ove Andsnes's teacher) and whose Chopin lives...
Reviewed by Bryce Morrison in issue: 4/2000
A glamorous line-up of soloists is, of course, far from a guaranteed recipe for success in chamber music, especially in...
Reviewed by Richard Wigmore in issue: 13/1997
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.