Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
On the back of a successful recording of Monteverdi’s Vespers last year, Cantus Colln return to a similar theatre. The...
Reviewed by Jonathan Freeman-Attwood in issue: 2/1997
Bernstein's coupling of the two finest of the early symphonies with the last masterpiece among the concertos makes a generous...
Reviewed by Edward Greenfield in issue: 8/1990
Spohr was first drawn to the idea of the double quartet by Romberg, but it was a form he made...
Reviewed by John Warrack in issue: 5/1986
What can one say afresh in summing up the achievements of this superlative artist? Best perhaps to quote her coeval...
Reviewed by Alan Blyth in issue: 9/1993
Thomas Hengelbrock has quickly established a reputation on the continent as an imaginative and vital opera conductor, though on record...
Reviewed by Jonathan Freeman-Attwood in issue: 7/1997
First released on LP in 1980, this record marks the start not only of New College's recent recording history under...
Reviewed in issue 4/1989
Perlman's coupling of concertos by Castelnuovo-Tedesco and Ben Haim brings a heartfelt tribute to his Jewish background. These are live...
Reviewed by Edward Greenfield in issue: 5/1993
For all the spectacular upturn in Haydn’s fortunes over the last few decades, his pre-London symphonies are still high-risk territory...
Reviewed by Richard Wigmore in issue: 1/1998
London Baroque have provided us with a tantalising selection of little-known early French chamber music. Louis Couperin died in 1661...
Reviewed by Julie Anne Sadie in issue: 13/2005
In his warm appreciation for Clara Schumann’s piano works‚ Gerd Nauhaus’s essay claims that ‘it would be very unjust…to see...
Reviewed in issue 11/2001
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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