Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
'I will call my Alpine Symphony the Anti-Christian, because in it there is moral purification by means of one's own...
Reviewed by David Gutman in issue: 6/2001
From Schoenberg’s Pierrot lunaire to Boulez’s Le marteau sans maître and Kurtág’s Messages of the late RV Troussova‚ modernist composers...
Reviewed in issue 3/2002
To mark the centenary of the birth of Richard Rodgers (our ‘Reputations’ subject in the July issue)‚ the Boston Pops...
Reviewed in issue 10/2002
Reviewing the London Sinfonietta’s recording of Richard Ayres’ No 24 prompted the thought that the impact of his work might...
Reviewed by Richard_Whitehouse in issue: 4/2004
The 400th anniversary of Monteverdi’s Vespers continues to make its presence felt with this new account from the Orchestra of...
Reviewed by Lindsay Kemp in issue: 6/2011
Amid a swathe of desirable radio recordings from Günter Wand’s long years as Kapellmeister in Cologne, these 1952‑53 Mozart and...
Reviewed by Richard Wigmore in issue: 9/2008
From the earth-shattering chords that launch the Overture, Furtwangler’s reading illuminates every facet of the score. His finely integrated tempos,...
Reviewed in issue 1/1998
The background to the suites is uncertain. Some believe Bach wrote them to assuage his grief at the death of...
Reviewed by Nalen Anthoni in issue: 12/2004
The spirit of Prades and Marlboro is here revisited, with Murray Perahia first among equals and the whole production infused...
Reviewed by Rob Cowan in issue: 12/2003
There was a time, when I counted the Fourth Symphony as a disappointment next to both the winningly lyrical Third...
Reviewed by Edward Greenfield in issue: 12/1988
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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