Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Mariella Devia defies the dry acoustic of the Teatro Lauro Rossi in Macerata to produce a characteristically sweet tone in...
Reviewed by Edward Greenfield in issue: 10/1999
My advice with this second issue in the Kremer/Argerich duo's Beethoven series is not to start—as I did initially—with the...
Reviewed by Edward Greenfield in issue: 3/1988
If a more joyous celebration of Scarlatti’s genius emerges from the anniversary year than this, I should like to hear...
Reviewed by Lindsay Kemp in issue: 13/2007
For a composer of Massenet's known predilections, Griselidis addresses an unexpected subject. The tale, related by Petrarch, Boccaccio and Perrault...
Reviewed in issue 12/1994
Holst's 1926 recording of The Planets is not without its problems. Sessions took place in Columbia's studio at Petty France,...
Reviewed in issue 10/1993
Admirers of Paul O’Dette’s consummate artistry will revel in this new recital, played on three instruments: the familiar renaissance lute,...
Reviewed by Fabrice Fitch in issue: 7/2001
Although employed for more than 25 years by the most powerful of all flautists, Frederick II, Carl Philipp Emanuel Bach...
Reviewed by Stanley Sadie in issue: 2/2003
What accounts for the appeal of Barber's Adagio for strings, or his own 1967 arrangement for voices as an Agnus...
Reviewed by Peter Dickinson in issue: 4/1992
It may have been due to the conservatism of Sor's musical education in Spain that he began to compose in...
Reviewed by John Duarte in issue: 2/1989
John Corigliano’s choral music eschews the more progressive elements found elsewhere in his output in favour of a simpler, more...
Reviewed by Andrew Achenbach in issue: 10/1999
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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