Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Most CDs featuring Second Viennese School piano music include Webern’s brief but significant contributions alongside Schoenberg and Berg. Roland Pöntinen...
Reviewed by Arnold Whittall in issue: 3/2006
There are few more sheerly exciting gramophone moments than the sound of the New York Philharmonic brass and percussion tearing...
Reviewed by Edward Seckerson in issue: 2/1991
A rhythmically and tonally firm start to the B flat major Concerto from Claudio Abbado and the LSO initially seems...
Reviewed by Christopher Headington in issue: 1/1988
Much is made of the political circumstances in which Schutz wrote his small-scale works, not least because the composer rarely...
Reviewed by Jonathan Freeman-Attwood in issue: 11/1997
Nielsen wrote five quartets in all between 1882 and 1919, although two of them exist in different versions, and the...
Reviewed by Guy Rickards in issue: 9/2000
‘Oblivion’ is a curious sobriquet for a recorded collection, and Piazzolla’s brief opening piece of this name is a disarmingly...
Reviewed by Ivan March in issue: 10/1999
Just as Entr’actes and Sappho Fragments can now be heard as anticipating the style of Birtwistle’s first opera‚ Punch and...
Reviewed in issue 9/2002
Here is another relatively new quartet plunging into the recording fray with “high end” repertory and reaping the rewards of...
Reviewed by Arnold Whittall in issue: 4/2010
Helped by vivid sound, James Judd conducts the New Zealand Symphony Orchestra in glowing performances of these favourite Vaughan Williams...
Reviewed by Edward Greenfield in issue: 8/2003
Assorted instrumental pieces frame the one-act comedy Der Bassgeiger zu Worgl to create a snapshot of Michael Haydn’s output for...
Reviewed by Richard Wigmore in issue: 8/1999
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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