Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Berlioz is credited with assembling no fewer than 900 performers for the first performance of his Te Deum in Paris...
Reviewed by Edward Greenfield in issue: 3/2007
This issue fills the last gap in the discography of Schnittke’s symphonies, and I salute the enterprise of all concerned....
Reviewed in issue 8/1996
Leiferkus so much enjoys singing. That's evident from first to last on this, the second instalment of his absolutely riveting...
Reviewed by Alan Blyth in issue: 12/1995
Three of these four pieces are rarities in the concert hall (short but fully-scored choral works don't make for easy...
Reviewed by Michael Oliver in issue: 4/1984
If you would expect performances of Beethoven sonatas to be more than ordinarily good from two such artists as Perlman...
Reviewed in issue 11/1983
When reviewing the LP, I said that these authoritative performances were beautifully recorded, and they sound even more so on...
Reviewed in issue 10/1985
''Calculated'' was how TH characterized this interpretation when it first appeared, and it has always seemed to me the just...
Reviewed by Alan Blyth in issue: 8/1984
Christian Zacharias is a well-proven artist in this repertory. I have always found much to admire in his Mozart concerto...
Reviewed by Christopher Headington in issue: 9/1990
Devotees of archeology and 'Bacheology' seem equally concerned with finding the layer below the layer; the former need only dig...
Reviewed by John Duarte in issue: 6/1993
It is hard to think of a record label having had a more auspicious debut or one that so clearly...
Reviewed by David Fallows in issue: 7/1990
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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