Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
It's perhaps a bit misleading of Dorian to call this disc ''English Mad Songs and Ayres''; the emphasis on the...
Reviewed by Lindsay Kemp in issue: 5/1992
It is difficult to know quite how seriously to take this disc of Chants sacres, recorded as it is by...
Reviewed by hfinch in issue: 4/1991
It is now almost a quarter of a century since Sallinen first came to international attention with Mauermusik, written in...
Reviewed by Robert Layton in issue: 6/1986
Agrippina was first performed at Venice’s Teatro San Giovanni Crisostomo on December 26, 1709, towards the end of Handel’s extended...
Reviewed by David Vickers in issue: 7/2004
Gabriel Pierné will be an unfamiliar name to most readers, although those remembering the 78rpm era may recall his once-famous...
Reviewed by Ivan March in issue: 3/2007
Three more versions of the Tchaikovsky Violin Concerto, all with their claims, add to a bewildering choice of over 30...
Reviewed by Edward Greenfield in issue: 9/1990
In August an almost identical collection of Russian piano sonatas, excluding Scriabin's Ninth, was reviewed by DJF. There, the pianist...
Reviewed by Bryce Morrison in issue: 2/1994
Kennedy is a people's violinist to contrast with say, Heifetz, or Kreisler or David Oistrakh, all of whom were 'violinists'...
Reviewed by Rob Cowan in issue: 12/1999
Galas are in the bloodstream at Covent Garden; they have been giving them there, on and off, for over a...
Reviewed in issue 9/1989
What a wonderful opera it is after all. There is now no question of listening to it for 'the big...
Reviewed in issue 11/1992
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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