Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
When, in 1950, a teenage Julian Bream happened upon Peter Warlock’s piano arrangements of some of John Dowland’s lute pieces,...
Reviewed by William Yeoman in issue: 10/2008
Until making this recording Rolando Villazón had sung “barely a note of Handel in public”. There will be some who...
Reviewed by David Vickers in issue: 5/2009
“What place is this?” asks Queen Elizabeth, badly briefed on her arrival at Fotheringay. It’s a question we may have...
Reviewed by John Steane in issue: 6/2009
Though I couldn’t say I’d necessarily want to hear it again, the Carnaval Overture of 1892 comprises a perky, agreeable...
Reviewed by Andrew Achenbach in issue: 4/1998
Johann Christian Bach is well represented on record these days‚ but for those readers already familiar with the music of...
Reviewed in issue 1/2002
With one possible exception, these are all among Strauss’s more rarely performed songs, and quite undeservedly so. Most are highly...
Reviewed by John Steane in issue: 6/2010
I am beginning to lose count of the number of discs that have come my way this year which focus...
Reviewed by Nicholas Anderson in issue: 12/1992
The King's Consort are known for their very workmanlike performances: the right singers and players in the right proportions, clearly...
Reviewed in issue 2/1989
Of the three great pianists born in 1903 – Arrau, Serkin and Horowitz – Horowitz was almost certainly the most...
Reviewed by Richard Osborne in issue: 6/2003
It was ever thus: the more or less simultaneous release of two recordings of distinction in a limited field. In...
Reviewed by Richard Osborne in issue: 2/1987
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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