Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Stravinsky’s youthful debts to Tchaikovsky ring out loud and clear in the Largo third movement of this spacious and uncharacteristically...
Reviewed in issue 8/1997
These three recordings of Tippett's early oratorio present the first-time buyer with a problem. The work itself is problematic enough,...
Reviewed by Arnold Whittall in issue: 1/1987
I’ve always thought of Vadim Repin as among the most gifted of younger Russian-born violinists, even on the evidence of...
Reviewed by Rob Cowan in issue: 5/2003
I have to say at once that the new and well-recorded Novalis disc suffers from a handicap throughout in the...
Reviewed in issue 4/1990
This recording, like its companion ''Kiri Sings Gershwin'' (reviewed on page 608), was made possible by the recent discovery of...
Reviewed by Ivan March in issue: 10/1987
It has taken more than five years for this enterprising anthology to reach the shops. Fortunately, the wait has been...
Reviewed by Andrew Achenbach in issue: 9/2000
Gerard Schurmann has been an American resident for over ten years now. During his time in Britain in the 1960s...
Reviewed in issue 8/1993
Those who recall Sir Colin Davis’s performance with the LSO of Kullervo at London’s Barbican Centre in 1992 (subsequently televised)...
Reviewed by Robert Layton in issue: 12/1997
Claves give us both Berlioz’s famous orchestration of Invitation to the Dance as well as conductor Felix Weingartner’s altogether more...
Reviewed by Andrew Achenbach in issue: 8/1998
“A clean-cut gem in its way it is, and cheerful withal”. Thus said the Daily Telegraph in 1919 when the...
Reviewed by John Steane in issue: 9/2010
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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