Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Haitink's recording of Mahler's Ninth dates from 1969. It is still of demonstration quality on CD, the balance superb, the...
Reviewed in issue 5/1986
It is fair to deduce from the eight songs which come as a supplement to the chamber and piano music,...
Reviewed by Edward Greenfield in issue: 1/1999
Herbert Blomstedt and his San Francisco orchestra have already given us impressive accounts of the Fourth and Fifth Symphonies (Decca,...
Reviewed by Robert Layton in issue: 5/1996
The timing is well chosen. With a production of Il pirata at New York’s Metropolitan Opera coming up in her...
Reviewed by Richard Fairman in issue: 1/2003
This CD adds a powerful and yet seldom performed Liszt work to the catalogue, and could well add a new...
Reviewed in issue 5/1986
This latest in Bolet's fine series of Liszt recordings in exceptionally beguiling. Right from the opening of Venezia e Napoli...
Reviewed in issue 12/1985
This particular selection of Italian baroque Christmas fare could become as familiar as mince pies and plum pudding, a comparison...
Reviewed by John Duarte in issue: 12/1985
The Berlin Philharmonic Brass are one of the more recorded of the symphonic brass sections from one of the world’s...
Reviewed by Jonathan Freeman-Attwood in issue: 9/1998
Gaspard Le Roux was active in Paris as a composer during the later years of the seventeenth and first decade...
Reviewed by Nicholas Anderson in issue: 9/1998
This is a serious artist at work. Mari Fujiwara won second prize at the 1978 Tchaikovsky Competition in Moscow. Before...
Reviewed by James Methuen-Campbell in issue: 9/1986
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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