Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Much as Rimsky-Korsakov admired his own Snow Maiden – almost as much as posterity has – he saw that it...
Reviewed by John Warrack in issue: 1/1997
Another pair of discs in the ongoing Raff series from the composer's Swiss compatriot, Urs Schneider. Both No. 4 (1871)...
Reviewed by Richard Wigmore in issue: 2/1995
The attractive new record is the product of the little festival run by Salvatore Accardo every spring in Naples. Here...
Reviewed by Alan Blyth in issue: 5/1989
At the age of 46 Talich had been Chief Conductor of the re-formed Czech Philharmonic Orchestra for just over a...
Reviewed in issue 6/1991
This anthology of German and Latin motets by Heinrich Schutz was greeted with muted approval rather than loud applause when...
Reviewed in issue 8/1985
These are carefully thought-out and scrupulously executed performances in which no risk is taken. Nicolet adds basic ornaments where they...
Reviewed by John Duarte in issue: 9/1989
Kremer gives a beautifully tender account of the first movement of the Concerto, aided by a markedly slower opening tempo...
Reviewed by Michael Oliver in issue: 7/1985
In my July 2002 ‘Collection’ on Vaughan Williams’s A Pastoral Symphony I waxed lyrical about André Previn’s January 1971 account...
Reviewed by Andrew Achenbach in issue: 11/2003
Just because the Beethoven Third Concerto recorded for West German Radio Cologne on February 25, 1957, was well preserved does...
Reviewed by Jed Distler in issue: 6/2008
This is a rare treat, music by five very different women composers, played by one of the leading exponents of...
Reviewed by Guy Rickards in issue: 9/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.