Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Horn and viola comparative versions for a cello sonata? Well, Atterberg’s B minor Sonata (1925) was designed to be played...
Reviewed in issue 2/1998
This month I have already written about Frank Bridge's ''unreasonable neglected'' Suite for string orchestra in reviewing a Lyrita reissue...
Reviewed in issue 12/1984
The choice of a trumpeter in a recital of operatic arias is both a specialist and a certain kind of...
Reviewed by Ivan March in issue: 1/1989
Friendly Persuasion (1956), with its glowing strings and bustling counterpoint, is not only quintessential Tiomkin but also a prime example...
Reviewed by rseeley in issue: 5/1998
Peter Holman, director of The Parley of Instruments, has become the foremost master of the miscellany through his long-running series,...
Reviewed in issue 9/1999
This was Leonard Rose's last recording, made at the Chateau de Malesherbes, France, in August 1982. The booklet includes a...
Reviewed by Joan Chissell in issue: 4/1989
There are great classic analogue recordings of Ibéria from Reiner (RCA‚ 1/90R)‚ Haitink (Philips‚ 3/94)‚ and Paray (Mercury‚ 6/95R)‚...
Reviewed in issue 3/2002
This belated 'memorial' issue brings together two of Bernstein's most successful concert works (written more than 30 and taped nearly...
Reviewed in issue 6/1994
This CD recreates music that lies only just within the shadows of musicological research. For one thing, the identity of...
Reviewed by Fabrice Fitch in issue: 2/2003
Thank heavens for such independent labels as Biddulph, Tahra, Dante Lys, Pearl, Dutton, APR and others like them, for were...
Reviewed in issue 6/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.