Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Forty years after Raymond Leppard astonished Glyndebourne audiences with reconstructions of Monteverdi’s two late operas‚ the debate he provoked about...
Reviewed in issue 9/2001
A curious coupling, you might think, but it's a thought-provoking one: the players almost seem to be challenging the easy...
Reviewed by Michael Oliver in issue: 5/1989
With the Ockeghem commemoration behind us, I look forward to 2005 and the opportunity it offers to lavish the same...
Reviewed by Fabrice Fitch in issue: 6/1998
Nobody has done more for Venetian opera since the last war than Raymond Leppard, a greatly gifted musician sadly lost...
Reviewed by Richard Lawrence in issue: 9/2004
Naxos’s project to record Liszt’s complete piano music using a number of pianists flies apace (Vols. 3 and 4 are...
Reviewed by Bryce Morrison in issue: 11/1997
St John’s Choir in Christopher Robinson’s time as Director has distinguished itself in many ways but perhaps most especially in...
Reviewed by John Steane in issue: 12/2002
This volume of the Vienna archive recordings celebrates the art of Svanholm, the Swedish singer who shared Heldentenor roles with...
Reviewed by Alan Blyth in issue: 3/1996
Chopin's heart belongs to Warsaw - quite literally: it lies as a relic in the Church of the Holy Cross....
Reviewed by hfinch in issue: 2/2000
The Requiem of Pierre Bouteiller, I’m sorry to say, put me in mind of Bernard Shaw’s comment about Brahms’s German...
Reviewed by Richard Lawrence in issue: 2/2011
While our fascination with The Beatles is in part nostalgia for a generation’s shared past, it can scarcely be denied...
Reviewed in issue 11/1997
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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