Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
This is the sort of experience which makes small boys want to become organists. Not only is it first-class entertainment,...
Reviewed in issue 7/1985
Three grand Tchaikovsky scores are evidently not enough! A telephone call in 1995 from Derek Deane, then the artistic director...
Reviewed by Andrew Lamb in issue: 8/2009
Now this really is something – a fully fired-up Menuhin, high on adrenalin and relishing the thrill of the moment....
Reviewed in issue 11/1999
A distinguished choral conductor, Valery Polyansky's orchestral ventures have often struck me as more dutiful than inspired. As a Rozhdestvensky...
Reviewed by David Gutman in issue: 2/2000
With the retirement of its great director William Lyne and the recent resignation of his successor Paul Kildea, the Wigmore...
Reviewed by John Steane in issue: 12/2005
The baddies always are more fun; in opera and musical theatre they are that much larger than life, too. Small...
Reviewed by Edward Seckerson in issue: 11/2009
Bertini is by far the more persuasive of these new arrivals: his buoyant and open-faced Mahler Fourth exudes bright-eyed innocence...
Reviewed by Edward Seckerson in issue: 7/1991
It would be hard, if not impossible today, to assemble such a secure-voiced and accomplished cast as this for Ballo,...
Reviewed by Alan Blyth in issue: 9/1990
Venturesome and wide-ranging in its repertoire as this college choir is, it has not previously been heard on records in...
Reviewed in issue 11/1992
The Musicians of Swanne Alley have been on to a good thing from the start. The Folger Consort and other...
Reviewed in issue 11/1989
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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