Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The important item here is the complete set of the Op 33 songs. Without wanting to dismiss the very real...
Reviewed by Richard Fairman in issue: 2/2003
There can never be enough recordings of this endlessly fascinating opera. Haitink’s new set was recorded simultaneously with a live...
Reviewed in issue 12/1997
Let me say immediately that the playing here is refined and has a genuine sense of style, and the recording,...
Reviewed by Ivan March in issue: 10/1989
Losing nothing of her freshness and individuality, Lucia Popp has delighted us in recent years with the judicious extension of...
Reviewed by jswain in issue: 12/1983
Samstag—''Saturday''—the second part of Stockhausen's seven-opera cycle Licht, was written between 1981 and 1984 and first staged complete in Milan...
Reviewed by Arnold Whittall in issue: 3/1989
As in the so-called Grand Concerto—No. 2 in F minor—which she recorded earlier for Hyperion (A66088, 12/83; CD CDA66088, 8/85)....
Reviewed by Edward Greenfield in issue: 7/1986
Quite why performers and record companies insist on treating Mozart's Church (or ''Epistle'') Sonatas as if they were organ concertos...
Reviewed by Lindsay Kemp in issue: 3/1993
This peculiar collection played by Mara Galassi, with occasional support from Giovanni Togni, is subtitled “Harp Music by GF Haendel”,...
Reviewed by David Vickers in issue: 6/2010
As various recent versions have shown, Weber's Grand duo concertant is open to rather more interpretations than its unusual, highly...
Reviewed by John Warrack in issue: 5/1991
On tour in Istanbul, Jordi Savall was given a copy of the first modern edition of a music collection assembled...
Reviewed by Fabrice Fitch in issue: 7/2010
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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