Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
For Martin Scorsese's new thriller of duplicitous goings-on on the murkier side of Boston, Howard Shore has come up with...
Reviewed by Adrian Edwards in issue: 2/2007
A collective title like this is a convenient way of gathering together apparently diverse material. Prokofiev's Overture on Hebrew Themes...
Reviewed by Ivan March in issue: 7/1990
I can only recall a handful of Wood reissues during the whole of the LP era, and even when historic...
Reviewed in issue 9/1994
La clarinette francaise indeed, where the repertoire is concerned, but not where the style of playing is concerned. The French...
Reviewed in issue 10/1988
It looks as though the bad times are over for Rossini's Stabat mater. During the 1970s and 1980s an influential...
Reviewed by Richard Osborne in issue: 3/1991
With the new Zeffirelli EMI Otello still resounding in the public ear and eye, and with AB's declaration (10/86) that...
Reviewed by hfinch in issue: 3/1987
It does seem hard that, after a gap of 16 years, two new recordings of Berlioz's remarkable imaginative distillation of...
Reviewed by Lionel Salter in issue: 1/1987
A fine new coupling of the Scottish and Italian Symphonies from the Prague Philharmonia under Belohlávek, beautifully played and warmly...
Reviewed by Ivan March in issue: 13/2006
After a long period of relative obscurity, the music of Rodion Shchedrin is making new friends in the West. His...
Reviewed in issue 9/1997
Paris always brought out the epicure in Rossini: in the 1820s and again, after years of debilitating illness, in the...
Reviewed by Richard Osborne in issue: 1/1986
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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