Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Leif Ove Andsnes was 22 last year when he made the recording of Grieg's Sonata—exactly the composer's age when he...
Reviewed by James Methuen-Campbell in issue: 6/1993
This release coincides with the reissue of ‘Hanson Conducts Hanson’, a four-CD set on the old Mercury label. Hanson was...
Reviewed by Andrew Farach-Colton in issue: 11/2005
Given the present popularity of Janacek's piano music, especially of the Overgrown path pieces, it is odd that the recording...
Reviewed by John Warrack in issue: 10/1987
Ashkenazy was 26 when this recital took place. The previous year he had shared first prize with John Ogdon at...
Reviewed by James Methuen-Campbell in issue: 5/1994
The accompanying notes describe Arthur Lourie (1892-1966) as one of the 'great unknowns' of twentieth-century music. Even if he were...
Reviewed by Michael Oliver in issue: 2/1994
Brahms's two orchestral serenades of around 1857-9 belong to his period at the princely court of Detmold and No. 1...
Reviewed by Christopher Headington in issue: 9/1991
Harnoncourt's slowly evolving set of the ''London'' symphonies is completed by Nos. 96-99, each of which receives a characteristically challenging...
Reviewed by Richard Wigmore in issue: 4/1994
There are two very striking works included here. I am not always impressed with Hindemith's sometimes angular, dry lyricism, but...
Reviewed by Ivan March in issue: 1/1990
Since the fatuously irrelevant booklet-note here says not a single word about the music played, or about the composer (born...
Reviewed by Lionel Salter in issue: 6/1994
Le cinesi (''The Chinese ladies'') is one of numerous pieces of the kind—generally called azione teatrale or something similar—composed during...
Reviewed by Stanley Sadie in issue: 2/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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