Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
La naissance de Venus, the ‘scene mythologique’ that gives this CD its title, was composed by Faure for an amateur...
Reviewed by Patrick O'Connor in issue: 2/1999
The question ''Alkan, who was Alkan?'' (which Ronald Smith used to preface his indispensable two-volume study of the composer—London: 1976)...
Reviewed by Bryce Morrison in issue: 12/1993
Alessandro Scarlatti’s Stabat mater was commissioned by a confraternity of aristocrats, the Cavalieri della Vergine dei Dolori, for its annual...
Reviewed by David Vickers in issue: 2/2008
This is Vol. 1 of a projected series of Mozart serenades and divertimentos with this chamber group drawn from the...
Reviewed by Edward Greenfield in issue: 6/1987
The only rival account of the Sonata is from Janka and Jurg Wyttenbach and two excellent Swiss percussion players (Accord)...
Reviewed by Robert Layton in issue: 1/1987
The silver jubilee volume of this dignified procession through Bach’s sacred cantatas is marked by one of the composer’s greatest...
Reviewed by Jonathan Freeman-Attwood in issue: 12/2004
This is in some ways a curious compilation, though certainly not an unrepresentative or an unenterprising one. Pride of place...
Reviewed in issue 4/1999
How fast is a Mendelssohnian Andante? In the Song Without Words, Jan Vogler and Louis Lortie choose an easily flowing...
Reviewed by DuncanDruce in issue: 8/2003
We live in interesting times as regards the performance of classical music. Period players have had a wide influence but...
Reviewed by DuncanDruce in issue: 12/2005
On the evidence of his recent Prokofiev disc (Chandos, 5/92) and now this, Kitaienko's penchant is for the moody, slow-burn,...
Reviewed by Edward Seckerson in issue: 9/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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