Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This disc comprises six of Lehmann's Odeons, six Victors (1939; all Wolf) and 14 Columbias (1941), divided between Richard Strauss...
Reviewed by Alan Blyth in issue: 11/1995
These four performances offer very different views of Walton's masterpiece. You need to go no further than ''Mariner Man'' to...
Reviewed by Alan Blyth in issue: 4/1991
As I remarked when reviewing the Bartok/Ranki version (Hungaroton), your choice in this work is likely to depend on your...
Reviewed in issue 6/1987
Yvonne Loriod's 1973 recording of the Vingt regards was for some while available only as part of a vast 17-disc...
Reviewed by Michael Oliver in issue: 12/1994
Until comparatively recently the repertory of early sixteenth-century Italian courtly songs known collectively as frottole appears to have interested musicologists...
Reviewed in issue 2/1985
This is wonderful, and a great surprise. Bitter experience has taught me to give Knappertsbusch's Bruckner a wide berth, not...
Reviewed by Richard Osborne in issue: 12/1995
This is a strange record. Handel's publisher, John Walsh, issued during the 1740s a harpsichord arrangement of the Water Music;...
Reviewed by Stanley Sadie in issue: 8/1987
It is good to hear Alfred Brendel playing Mozart, a composer he approaches with a high seriousness. He begins this...
Reviewed by Christopher Headington in issue: 8/1992
The four Moments musicaux are in sequence but otherwise Preludes and Etudes-tableaux, plus the youthful Elegie, are mixed together to...
Reviewed in issue 7/1985
Everything about this CD is presented with the utmost clarity. Robert Aldwinkle begins the Chromatic Fantasia and Fugue in D...
Reviewed in issue 6/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.