Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
“Oxford Psalms”? All the works here have some connection with Oxford, but actually the musical thread is quite strong in...
Reviewed by Lindsay Kemp in issue: 8/2007
Comprised of four Italian string players from I Musici plus an Australian pianist, this ensemble admits to a special affinity...
Reviewed by Joan Chissell in issue: 3/1987
Here are two very different approaches to Bach's six sonatas for harpsichord and violin, BWV1014-19. These pieces, belonging to Bach's...
Reviewed by Nicholas Anderson in issue: 10/1990
A totally delightful programme, beautifully sung, superlatively well-played. It makes a captivating start with So we'll go no more a-roving,...
Reviewed in issue 7/1990
The greatness of Clara Haskil and Dinu Lipatti – friends, colleagues and fellow-Romanians – may be unmistakable, but it is...
Reviewed by Bryce Morrison in issue: 12/1997
Die aegyptische Helena is a problem-piece, that cannot be denied. Strauss hoped for a light-hearted, satirical treatment of Helen of...
Reviewed in issue 1/1992
Il turco in Italia is one of Rossini's most sophisticated early comedies, an elegantly crafted two-act drama buffo that looks...
Reviewed by Richard Osborne in issue: 12/1992
Though chiefly thought of as a virtuoso pianist whose compositions mirrored his glittering talent (the Fourth Piano Concerto is notoriously...
Reviewed by Bryce Morrison in issue: 7/2004
There are already two excellent performances of Frank Martin's Mass on CD. Here's a third, and very welcome it is...
Reviewed by Marc Rochester in issue: 4/1992
Where second-rank works are concerned, the extent to which performance quality can change one's perspective is exemplified by this set...
Reviewed by Alan Blyth in issue: 5/2000
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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