Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
For their second volume exploring the music of Catholic missions in Bolivia, Florilegium are joined by a quartet of expert...
Reviewed by David Vickers in issue: 3/2007
ECM marks Valentin Silvestrov’s 70th birthday with a disc very different from that of the powerful Sixth Symphony (7/07): one...
Reviewed by kYlzrO1BaC7A in issue: 11/2007
After three decades of Carmen in opéra comique-style, each one offering its own brand of authenticity, here we are back...
Reviewed by Patrick O'Connor in issue: 3/2003
The Ensemble Modern’s traversal of some of Reich’s less frequently heard scores provides a fascinating overview of the way his...
Reviewed by Ivan Moody in issue: 6/2003
It may perhaps look odd to find Saint-Saens as the first composer on a disc of twentieth-century music; but yes,...
Reviewed by Lionel Salter in issue: 7/1989
These are attractive performances and agreeably recorded. Ashkenazy's playing as well as that of the Philharmonia under his direction is...
Reviewed by Christopher Headington in issue: 3/1987
The thing that most struck me while listening to Korngold’s Marchenbilder, Op. 3 was that it is the work of...
Reviewed by Tim Parry in issue: 12/1998
Gilels made two recordings of this concerto. The later version was made for DG in the early 1970s with Eugen...
Reviewed in issue 6/1986
The Jubilate, or Psalm 100, is a nice, compact little canticle, but the Te Deum is the counterpart among canticles...
Reviewed in issue 10/1994
Andrew Litton, still in his twenties, has made a number of recordings with London orchestras, but this is his first...
Reviewed by Edward Greenfield in issue: 4/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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