Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It is significant that Karl Schumann, in his notes for the DG reissue, bears out what Robin Holloway wrote in...
Reviewed by Alan Blyth in issue: 10/1993
For those brought up on the richly decorative canvases of Schütz and Bach, the responsorial style of Passion that preceded...
Reviewed by Peter Quantrill in issue: 8/2011
Here is the earliest and most characterful of Toscanini's three commercial Eroicas. The playing is full of passion and commitment...
Reviewed in issue 11/1992
Mahler's Sixth Symphony is a tragic work, a work which, uniquely among Mahler's symphonies, ends in complete catastrophe. Nor is...
Reviewed by Richard Osborne in issue: 12/1983
Born in Chile in 1964, Andres Diaz completed his studies in the USA where he now lives, teaches and of...
Reviewed by Joan Chissell in issue: 10/1993
This is the most beautiful alto-playing since Johnny Hodges; and the most beautiful soprano-playing ever. Or so it seems after...
Reviewed in issue 7/1988
In 1993, according to Artur Rubinstein’s biographer Harvey Sachs (Rubinstein: A Life; Grove Press: 1995) , the pianist’s daughter Alina...
Reviewed by Arnold Whittall in issue: 13/1999
The completest of the complete versions of Beethoven's piano trios comes from the Beaux Arts Trio, whose extravagant seven-LP boxed...
Reviewed by Joan Chissell in issue: 7/1987
The Boyce Eight Symphonys (as he himself spelt the title) are one of the treasures of English eighteenth-century music, cheerful,...
Reviewed by Stanley Sadie in issue: 4/1994
No, this is not the same fortepiano – a copy of a 1795 Anton Walter – that Ronald Brautigam used...
Reviewed by Nalen Anthoni in issue: 10/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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