Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
This is the first appearance in these pages of the French pianist Jean-Paul Gasparian (b1995, Paris) but I suspect he...
Reviewed by Jeremy Nicholas in issue: 05/2022
This is the second volume of Nikolai Lugansky’s Beethoven to have come my way and the ruggedness that coloured his...
Reviewed by Harriet Smith in issue: 05/2022
While not wishing to brand this comely trio of performances a ‘throwback’, it does bring in its train a key...
Reviewed by Rob Cowan in issue: 05/2022
It hardly seems three decades since Tim Williams founded the Manchester-based Psappha, its track record in terms of commissioning or...
Reviewed by Richard Whitehouse in issue: 05/2022
Those with eyes and ears fixed on the BBC Young Musician competition will know that in 2020 the strings final...
Reviewed by Rob Cowan in issue: 05/2022
Ensemble Fractales are a specialist new music chamber group comprising flautist Renata Kambarova, clarinettist Benjamin Maneyrol, violinist (and occasional viola...
Reviewed by Guy Rickards in issue: 05/2022
The viola has been the source of inspiration behind a good deal of chamber music written by 20th-century British composers...
Reviewed by Jeremy Dibble in issue: 05/2022
The relationship between Shostakovich and Weinberg has often been discussed over recent years, this collection throwing the reciprocal nature of...
Reviewed by Richard Whitehouse in issue: 05/2022
Schubert’s three mature works for violin and piano make an ideal disc-length programme, the Duo Sonata (1817) expanding on the...
Reviewed by David Threasher in issue: 05/2022
This enterprising programme of music by Marcus Paus (b1979) is adroitly presented. Disc 1 comprises a set of (to use...
Reviewed by Guy Rickards in issue: 05/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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