Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
I first heard Boris Giltburg shortly after his victory in 2013 at the Queen Elisabeth Competition, when Marin Alsop, who...
Reviewed by Patrick Rucker in issue: 05/2022
The horn concertos by Malcolm Arnold (No 2, 1956) and Ruth Gipps (1969) have appeared on disc before, in scintillating...
Reviewed by Guy Rickards in issue: 05/2022
Michelle Assay was full of enthusiasm for the first two volumes of Norma Fisher’s BBC broadcasts. Here’s a musician who...
Reviewed by Harriet Smith in issue: 05/2022
‘What we’re really watching is a gathering of the damned’, writes Christof Loy in a note for his extraordinary Berlin...
Reviewed by Tim Ashley in issue: 05/2022
Nicky Spence and colleagues serve up a nourishing feast of Vaughan Williams’s vocal music, culminating in a performance of On...
Reviewed by Andrew Achenbach in issue: 05/2022
Never having knowingly heard any of Edward Nesbit’s work before, I had no idea what to expect of his choral...
Reviewed by Ivan Moody in issue: 05/2022
Since Jóhann Jóhannsson’s death in 2018 at the age of only 48, his label DG has done much to promote...
Reviewed by Pwyll ap Siôn in issue: 05/2022
This release collects 30 years’ worth of choral music by one of Ireland’s most cherished composers and teachers. It is...
Reviewed by Liam Cagney in issue: 05/2022
To use Stephen Hough’s own words from his previous Schubert recording for Hyperion (6/99), the ‘communion of hearts’ between the...
Reviewed by Michelle Assay in issue: 05/2022
Francesco Corti’s discography as a solo harpsichordist is not long, essentially consisting of two Bach releases – the Partitas some...
Reviewed by Lindsay Kemp in issue: 05/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.