Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
This latest volume from Naxos devoted to the symphonies of the prolific Bohemian figure Johann Baptist Vanhal (1739-1813) fittingly bears...
Reviewed by Andrew Achenbach in issue: 05/2022
Performing all three of Stravinsky’s early ballets in a single evening (I remember it well) was a tall order, even...
Reviewed by Edward Seckerson in issue: 05/2022
While Metamorphosen may be the finest music here, lending its name to yet another distinctive album from John Wilson’s Sinfonia...
Reviewed by David Gutman in issue: 05/2022
Swedish composer Albert Schnelzer (b1972) does a good line in clear musical imagery, responds with immediacy to clear ideas and...
Reviewed by Andrew Mellor in issue: 05/2022
As well as being one of the most significant Brazilian composers of the 20th century, Cláudio Santoro (1919 89) was...
Reviewed by Christian Hoskins in issue: 05/2022
Perhaps the most remarkable thing about Ravel’s orchestral reimaginings of his piano originals is that both forms retain their own...
Reviewed by Edward Seckerson in issue: 05/2022
Mendelssohn performed by a chamber orchestra and directed from the keyboard always looks like an enticing proposition. And so it...
Reviewed by Harriet Smith in issue: 05/2022
Whatever weight you place on Mahler’s Bohemian and Moravian connections, his discography contains surprisingly little that can be described as...
Reviewed by David Gutman in issue: 05/2022
As society finally takes its first cautious steps towards a brave new post-pandemic world, more and more musicians are sharing...
Reviewed by Pwyll ap Siôn in issue: 05/2022
François-Xavier Roth’s recording of Bruckner’s Seventh is the first instalment in a new cycle of the symphonies being recorded by...
Reviewed by Christian Hoskins in issue: 05/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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