Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
With its unflinching portrayal of the Israelite king’s descent into madness and terrible final lucidity, Saul is arguably both the...
Reviewed by Richard Wigmore in issue: 05/2022
Siberia was Giordano’s favourite of his own operas. First performed in 1903, it reflects the growing fin de siècle fascination...
Reviewed by Tim Ashley in issue: 05/2022
If you fancy something off the operatic beaten track, take a wander back into the Spanish Golden Age. Coronis is...
Reviewed by Mark Pullinger in issue: 05/2022
After volumes focusing on Byrd and Tallis (3/16, 9/17), ORA and their music director Suzi Digby go international for the...
Reviewed by Alexandra Coghlan in issue: 05/2022
Etymologists trace a late fourth-century transition from Jerusalem as the ‘city of peace’ to the ‘vision of peace’ (the term...
Reviewed by Edward Breen in issue: 05/2022
While Ukraine suffers from an unspeakably murderous invasion, it is good to remember that neighbouring Poland has a fairly rich...
Reviewed by David Fallows in issue: 05/2022
Looking back in years to come, historians will find a musical time-capsule in the releases of the current period: recordings...
Reviewed by Alexandra Coghlan in issue: 05/2022
This is a truly important release, all premiere recordings of works composed between 2014 and 2019 by a master craftsman....
Reviewed by Malcolm Riley in issue: 05/2022
Geoffroy Jourdain and Les Cris de Paris apply their communicative extroversion to Schütz’s settings of texts from the Psalms of...
Reviewed by David Vickers in issue: 05/2022
While Rachmaninov’s setting of the (Eucharistic) Liturgy is not as well known as his Vigil (the so-called Vespers) – with...
Reviewed by Ivan Moody in issue: 05/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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