Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This pair of LPs brings to an end the CRD series of the complete chamber music of Handel, recorded by...
Reviewed by Stanley Sadie in issue: 4/1986
A heavenly choir has long been recognized as a reliable, if somewhat cliched, device for milking the emotional response of...
Reviewed by rseeley in issue: 9/1998
Always one for a challenging sleeve-note, Davitt Moroney opens his comments here by stating that Byrd ''was the most universal...
Reviewed by David Fallows in issue: 12/1986
Alan Sanders liked this performance when it came out four years ago, finding in it ''a pleasing warmth'' and, in...
Reviewed by Christopher Headington in issue: 11/1993
Karajan and the Berlin Philharmonic’s perfumed, pictorial 1964 recordings of Debussy’s Prélude à L’après-midi d’un faune and La mer have...
Reviewed by Andrew Farach-Colton in issue: 10/2005
These two popular symphonies are conducted by Dohnanyi with percipience and, especially in the Beethoven, with zest, and he always...
Reviewed in issue 10/1984
Not as rewarding as you might think at first glance. That’s to say, if you had heard any of the...
Reviewed in issue 3/1997
It is extraordinary that no major label has got Thomas Trotter, the greatest British organist of his generation, cuffed hands...
Reviewed by Jeremy Nicholas in issue: 8/2007
This new recording of Bach's four Orchestral Suites has some attractive features. Vladimir Spivakov abandons his violin for the podium...
Reviewed by Nicholas Anderson in issue: 5/1991
There is no doubt where the chief novelty attraction of this disc lies, though I hope Nancy Hadden will forgive...
Reviewed by Lindsay Kemp in issue: 6/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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