Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Since 1980 Andreas Bach has studied with that fine Hanover teacher, Karl-Heinz Kammerling; the booklet also tells us that though...
Reviewed by Joan Chissell in issue: 11/1990
These days the Wagner family home in Bayreuth functions mainly as a museum. During the Festival it also lays on...
Reviewed by Arnold Whittall in issue: 2/1995
This is something very special; indeed, a delight from start to finish making one fall in love again with this...
Reviewed by Alan Blyth in issue: 6/1993
This Gershwin musical comedy is described in the accompanying booklet as one of those shows in which the score had...
Reviewed by Adrian Edwards in issue: 1/1995
Every so often, plainchant enjoys a surge of popularity. About 20 years ago the Benedictine monks of Silos enjoyed phenomenal...
Reviewed by Fabrice Fitch in issue: 8/2008
Amiable and easygoing and totally unmannered in style, this happy performance has the blessing of the finest, most glowing recorded...
Reviewed by Edward Greenfield in issue: 5/1983
Glazunov's precocious First Symphony was enthusiastically received at its St Petersburg premiere and this fervour turned to astonishment when a...
Reviewed by Ivan March in issue: 9/1987
“There you go! Another Yiddish chord!” Thus spoke Osvaldo Golijov’s father from behind the sports pages of a newspaper. He...
Reviewed in issue 6/1997
Carl Friedrich Abel was born in Cothen, son of a member of Bach's group there, the year Bach left; possibly,...
Reviewed in issue 7/1995
Though two existing clarinet quintets are masterpieces (I am thinking of Mozart's along with the Brahms that is played here),...
Reviewed by Christopher Headington in issue: 11/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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