Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It would be hard to find a more extreme contrast of interpretation in the Dvorak Cello Concerto than that between...
Reviewed by Edward Greenfield in issue: 1/1990
The central character in Michael Berkeley’s For You, first performed in 2008, is a composer and conductor called Charles Frieth,...
Reviewed by Richard Fairman in issue: 12/2010
The Huelgas Ensemble have recorded a masterly recital of works by Cipriano de Rore, subtitled ‘Music, Mirror of the text’....
Reviewed by mberry in issue: 2/2003
A few months ago I reviewed the first volume of Gordan Nikolitch’s recording of concertos by Tartini (2/97). Now comes...
Reviewed by Nicholas Anderson in issue: 7/1997
Though there are half a dozen versions of the Diary in the catalogue, the only one by a Czech tenor...
Reviewed by John Warrack in issue: 7/1999
While Pergolesi’s vivacious intermezzo of 1733 – a crucial staging post in the development of opera buffa – has a...
Reviewed by Richard Wigmore in issue: 5/2007
Daniel Graham is, I think, the only previous pianist to have recorded both sets of these important and scandalously overlooked...
Reviewed by Jeremy Nicholas in issue: 2/2005
What remains astonishing after all these years is the sense of occasion and the levels of musical tension that Walter...
Reviewed by Richard Osborne in issue: 11/1991
Evidently one of his favourite instruments, the cello inspired Vivaldi to write 28 concertos, most of them of enchanting high...
Reviewed by Lindsay Kemp in issue: 1/2009
It is difficult to conceive of a masterpiece in any other form than it is. The impression the listener receives...
Reviewed by Robert Layton in issue: 4/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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