Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Now that Ian Partridge's nicely balanced Beethoven selection in the Finchcocks series is available on CD, the main reason for...
Reviewed by hfinch in issue: 6/1986
There’s a vein of power minimalism running through Irish composer Ed Bennett’s work that troubles me. Listening to the super-smart,...
Reviewed by Philip_Clark in issue: 11/2011
This new release of sonatas by Vivaldi (or not as the case may be, but more of that later) is...
Reviewed by Nicholas Anderson in issue: 8/1986
Viennese operetta is not all Strauss and Lehár, nor even Suppé and Kálmán. Carl Zeller was a civil servant by...
Reviewed by Andrew Lamb in issue: 7/2006
The Hanover Girls' Choir are a little over 50 strong and sing with a sweet, well-disciplined style. The singers are,...
Reviewed by John Warrack in issue: 3/1987
Beethoven's Septet is a charming work whose importance lies not only in its consolidation of its composer's style before its...
Reviewed in issue 11/1993
Despite a long and distinguished heritage in Central and Eastern Europe, the mandolin has never really caught on further west....
Reviewed by Guy Rickards in issue: 3/2004
Those of us fortunate enough to have attended Maria Joao Pires’s Wigmore Hall recital earlier this year were given a...
Reviewed by Bryce Morrison in issue: 10/1996
You have been warned. Marco Polo’s disc comes with a sturdy, not to say alarming, endorsement from composer Kevin Volans:...
Reviewed in issue 4/1998
''Rudolf Serkin—The First Recordings'', proclaims EMI's two-disc set, but in fact seven of the nine items contained therein feature the...
Reviewed in issue 12/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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