Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Second-rank composers of the 19th century have still to be investigated and assessed in the same way as those of...
Reviewed by Jeremy Nicholas in issue: 6/2009
Amelia al ballo (‘Amelia goes to the ball’) was Menotti’s first big success. Premiered in 1937, when the composer was...
Reviewed by Michael Oliver in issue: 1/2001
Rossini's art had come a long way from his first Neapolitan opera, Elisabetta, regina d'Inghilterra in 1815, to Maometto II...
Reviewed by Richard Osborne in issue: 6/1985
Dutchman Willem de Fesch was one of many foreign musicians who came to London during the first half of the...
Reviewed by Nicholas Anderson in issue: 6/1999
As with most good music‚ the simplest of Leonard Salzedo’s ideas leave the most powerful impression. I’m thinking in particular...
Reviewed in issue 3/2002
I challenge anyone to find me a soprano today who can sing this repertory more securely than Meyer-Topsoe. It therefore...
Reviewed by Alan Blyth in issue: 4/1997
The piano music of John Field is the subject of Benjamin Frith's latest survey, and the impression made by this...
Reviewed by Tim Parry in issue: 2/2000
Alonso Lobo (not to be confused with his Portuguese namesake, Duarte Lobo) has long been recognized as one of the...
Reviewed by Tess Knighton in issue: 12/1997
As was demonstrated on his recent disc of trumpet concertos (DG, 10/06), Håkan Hardenberger has no peers when it comes...
Reviewed by kYlzrO1BaC7A in issue: 3/2007
Schubert wanted to hear the Op 131 quartet and his wish was granted five days before he died. Wagner believed...
Reviewed by Nalen Anthoni in issue: 3/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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